Auddict Master Brass Tubas v1.1

Mold and Sculpt your Sound Like Never Before with Seven Mic Positions.
Three-Player Tuba Ensemble - Sample Library for Kontakt 4 and Above (Retail Version Only, not Free Kontakt Player)

Auddict is happy to bring you the tubas section from our Master Brass orchestral brass sample library. Like its MB counterparts, the Master Brass tubas also come with a staggering seven mic positions for absolute sonic control and sculpt-ability.

Mix between the perspectives; Decca tree sides and mid, flanks, room, woodwind spots (see more about this below!), close ribbons and close LDCs, with the flexibility aimed at replicating a real scoring session. Now you have control over the different mic and perspective levels in the session, enabling you to morph your own sound in your scores, as if you were at the studio with the console at your fingertips.

You might have noticed that one of the perspectives included is "woodwind spots". While this is not a woodwind library, the mics that spot the woodwinds were set up and included in the recording. The reason for this, is that a lot of the brass sound bleeds heavily into the woodwind mics in scoring sessions, adding to the perceived depth of the sound, so whilst pushing to achieve the most versatile, we felt that this absolutely had to be included.

Full list of articulations:

No Legato (allows polyphonic playing)
Legato - normal slurred legato  (piano and forte dynamic layers crossfade-able)
Rips - Short trumpet rips
Chords < - Crescendo major, minor and open 5th chords
Chords > - Diminuendo major, minor and open 5th chords
Staccato - Short notes, with 7RR per dynamic layer (three layers)

True Legato

The instrument comes with true sampled legato, allowing for realistic and seamless transition from one note to the next.

Like the rest of the Master Brass, we have recorded major and minor chords in various positions, as well as open fifths (combined gives you the ability to also create MAJ7, min7 and other chords... again for the reason that each note has it's own little space in the sonic field, and it is this separation that is one of the major things we miss from a real recording, and a track with layer upon layer of samples. With this instrument, you can achieve that real spacious sound.